On Patriotism, Memory, and Moral Lyricism

 On Patriotism, Memory, and Moral Lyricism

On Patriotism, Memory, and Moral Lyricism

Reflections on the Poetry of Anand Kumar Ashodhiya

Patriotism in poetry often risks slipping into slogan or spectacle. Anand Kumar Ashodhiya’s work, however, resists such simplification. His poems approach the nation not as an abstract idea but as a lived moral responsibility—rooted in memory, sacrifice, and everyday conscience.

In patriotic compositions such as Vijay Diwas, Shaheed-e-Azam Sardar Udham Singh, and Kargil Vijay Diwas, Ashodhiya avoids declamatory excess. The soldier, the martyr, and the citizen appear as human figures shaped by duty rather than heroic exaggeration. Valor emerges quietly, through restraint and ethical clarity, echoing the poet’s own thirty-two years of disciplined service in the Indian Air Force.

Memory plays a central role in this moral lyricism. National remembrance, personal loss, and collective silence coexist within the same poetic universe. Ashodhiya’s verses remind the reader that patriotism is sustained not by noise but by remembrance—by the willingness to carry history inward.

Equally significant is the poet’s social conscience. Poems addressing injustice, hunger, and marginal lives extend the idea of patriotism beyond borders into responsibility toward fellow citizens. Here, the nation becomes an ethical space rather than a political symbol.

Written in a language that blends Hindi, Haryanvi, and Urdu-inflected registers, these poems retain oral resonance while speaking to contemporary moral dilemmas. The simplicity of diction conceals philosophical depth, making the poetry accessible yet enduring.

In Anand Kumar Ashodhiya’s work, patriotism is neither performance nor protest alone—it is moral lyricism. His poems ask the reader to remember, to reflect, and to remain accountable. In an age of loud certainties, such quiet responsibility is itself a profound poetic act.

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Avikavani Publishers: A Self-Publishing Imprint Rooted in Indian Literary Tradition

Avikavani Publishers: A Self-Publishing Imprint Rooted in Indian Literary Tradition

Avikavani Publishers: A Self-Publishing Imprint Rooted in Indian Literary Tradition

In an age when publishing is often driven by market algorithms, Avikavani Publishers stands apart as a purpose-driven literary imprint—devoted to preservation, authenticity, and cultural continuity.

Founded by Anand Kumar Ashodhiya (also known as Kavi Anand Shahpur), Avikavani Publishers is a self-publishing imprint created to document, interpret, and disseminate India’s folk, classical, and contemporary literary traditions. The imprint functions not merely as a publishing label, but as an extension of the author’s lifelong literary and cultural commitment.

Vision and Literary Focus

Avikavani Publishers primarily publishes the author’s own works—spanning Hindi, Haryanvi, and English—with a special emphasis on:

• Haryanvi Ragni and folk ballad traditions

• Modern Hindi poetry and social reflection

• Literary translation and trans-creation into English

• Research-oriented poetic epics rooted in Indian history and ethos

A central objective of the imprint is the preservation of oral traditions, particularly the Haryanvi Ragni form, by documenting them in scholarly yet accessible written formats.

Notable Publications

Key works published under Avikavani Publishers include:

• Adhirājan — A folk epic in Ragni form (Revised Edition, 2025)

• Ath Marjarika Uvach — A symbolic epic re-reading Indian history (2025)

• Prem Ke Sau Rang — Modern Hindi poems on love and responsibility

• Sāket and Kahaan Kahaan Paiband Lagau — English translations

• Antaryātrā — The Inner Journey — English transliteration of Hindi poetry

Each publication reflects a balance of discipline, cultural fidelity, and literary craft.

The Author Behind the Imprint

Anand Kumar Ashodhiya served for 32 years in the Indian Air Force, retiring as a Warrant Officer. His military discipline informs the editorial rigor of Avikavani Publishers, while his poetic sensibility ensures emotional and cultural depth.

His contributions to regional and national literature have been recognized with honors such as the Haryanvi Sahitya Ratna 2025 and Haryana Sanskriti Gaurav Ratna.

A Living Literary Archive

Avikavani Publishers is not a commercial press in the conventional sense. It is a living archive—one that safeguards folk memory, reinterprets tradition, and opens regional literature to global readership through translation.

In an era of rapid content consumption, Avikavani Publishers reaffirms a simple yet powerful belief:
literature is not produced—it is preserved, lived, and passed forward.

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Antaryātrā: Translating Hindi Poetry into English

 Antaryātrā: Translating Hindi Poetry into English

Antaryātrā: Translating Hindi Poetry into English

By Anand Kumar Ashodhiya

Translation is not merely the transfer of words from one language to another; it is the migration of emotion, culture, and consciousness. Antaryātrā — The Inner Journey is born from this understanding. It is not a literal translation of Hindi poems into English, but an act of transliteration and trans-creation, where meaning, rhythm, and cultural essence travel together.

The original Hindi poems of Antaryātrā are rooted in lived experience — love tempered with restraint, patriotism shaped by duty, social concern voiced through empathy, and spiritual inquiry expressed through silence rather than sermon. Translating such poetry into English demands sensitivity to both linguistic structure and emotional cadence. The challenge lies not in vocabulary alone, but in preserving the inner music of the poem.

Hindi poetry often carries cultural markers — idioms, folk memory, devotional undertones, and regional rhythms — that resist direct equivalence in English. In Antaryātrā, the approach has been to retain the semantic core while allowing the English language to breathe naturally. Where rhyme is lost, resonance is preserved; where meter shifts, meaning deepens.

As both poet and translator, I occupy a unique position. The act of translation becomes an inward dialogue — a re-listening to one’s own voice across languages. This dual authorship allows fidelity not only to words, but to intention. The English versions seek clarity without dilution, simplicity without loss of depth.

Antaryātrā thus stands as a bridge — between Hindi and English, between regional consciousness and global readership, and between inner reflection and outward expression. It affirms that Indian poetry, when translated with care and responsibility, can speak across borders without losing its soul.

In this journey inward and outward, translation becomes an ethical act — one that honours both the source and the seeker.

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